It just feels correct, and it feels good. It's magic – doubly so given this is Heart Machine's first 3D game. The visual language is so strong that it dyes your neurons. The timing, the tricks, the openings – you learn to see the lines without being told. By the time you reach the boss of each area, you'll find you've already learned how to take it down after exploring the environment. It's hard to oversell the rush of a breakneck sprint along a titan's body, nimbly piercing weak points as you jump between plates of bone. You skewer void marks all over the landscape to weaken them, then scale them to attack exposed nerves with Rei's needle-like lance, each assault a tight time trial of its own. This clean design shines in fights with the Remnants, towering behemoths reminiscent of Shadow of the Colossus, that stalk each world. The core verbs are emphasized, never muddled.
Mechanics and hazards combine and elevate each other without overcomplicating things. Slow time mid-air to extend your grapple range, deliver these color-coded spores before they time out, don't touch the green acid for too long, don't touch the lava at all.
New challenges are introduced smartly – first in a controlled environment, then with ramping complexity and stakes. There are no intrusive markers telling you where to go, and there's next to no tutorializing.
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